In her new role, she will report directly to Shonda Rhimes, and will oversee editorial and content strategy for the website.Įpix will air the finale of “The Contender” live from the Forum in Los Angeles on Friday, Nov. Myers previously served as editor-in-chief of ELLE Magazine for 18 years. Robbie Myers has been appointed editor-in-chief for, the company announced Thursday. He is repped by Gersh and Brookside Artist Management. Kevin Bigley will play Luke Crowley, enthusiastic and resourceful Uploaded veteran who is thrilled to have a new buddy in Nathan (Amell). Zainab Johnson will play Aleesha Girard, Nora’s (Allo) stylish, overconfident friend and fellow customer-service “angel” at Horizen. It is set in the near future, where people who are near death can be “uploaded” into a virtual afterlife of their choice. The series stars Andy Allo and Robbie Amell. Two actors have joined the Greg Daniels comedy series “ Upload” currently in the works at Amazon, Variety has learned. Featuring eight families from across the country, the show will follow their race to claim the title of America’s #1 Food Family. For more, check out our list of the greatest TV shows of all time.ABC has announced Cat Cora and Graham Elliot as judges on the upcoming culinary competition series “Family Food Fight.” The two chefs, authors, and television personalities will be joined by fellow restaurateur and New York Times best-selling cookbook author Ayesha Curry. The Twilight Zone is streaming on Prime Video and Paramount Plus. We still have a lot we can learn from the show, even if it's just how to tell a good scary story. This was a first for network television, as there was no such thing as syndication at the time, meaning that Serling is essentially responsible for inventing the rerun.)ĭespite its black-and-white format and dodgy pixel quality, the original The Twilight Zone remains both important and culturally relevant. (It's also worth noting the irony behind The Twilight Zone's rerun success: his corporate drama Patterns, a teleplay that was staged live on Kraft Television Theatre for one night only, was so popular that the network restaged it again for another live performance with the same cast. It was well before the series would have its second revival, before Disney World would create a theme park ride, before the show would become such a massive syndication success and be reran more times than we can count. Serling died of a heart attack on May 3, 1975, at the age of 50. Maybe the allegory at the end of every episode was, indeed, a warning, and Serling was predicting the future, letting us know that these lessons would never lose their relevance – that history is doomed to repeat itself. have we listened? It seems like the social issues explored in The Twilight Zone are just as relevant today, if not more. Each episode ended with a warning of sorts, and if we were smart, we would listen.įast forward some 60 years later. The theme music induced a sense of panic, and Serling spoke directly to the viewer with a stern, ominous voice. There are episodes that serve as cautionary tales for poor decisions made because of a character's greed or thirst for power ("The Man in the Bottle"), ones that make commentary on society's obsession with beauty ("Eye of the Beholder"), and some that abandon the allegory at the very end in order to induce outright terror like "The Dummy" or "Living Doll."įrom grotesque pig masks to a creepily cheerful dummy, the increasingly menacing voice of Talky Tina the doll, or permanently deformed faces meant to reflect the person's awful personality, the imagery sticks with us. Look for it before the light goes out altogether. Don't look for it in the Twilight Zone – look for it in a mirror. Not a virus, not a microbe, not a germ – but a sickness nonetheless, highly contagious, deadly in its effects. Serling was interested in entertaining, sure, but he made sure to use the anthology series to address relevant issues like the nuclear arms race and mass hysteria, and delve into subjects deemed uncomfortable for daytime television like McCarthyism ("The Monsters Are Due on Maple Street") and prejudice/discrimination ("I Am the Night – Color Me Black").Ī sickness known as hate. Enter: The Twilight Zone, or, what would become one of the most culturally significant television programs in pop culture history.Įmploying prominent science fiction writers to tell stories that made social commentary on significant events, the series quickly became one of the most controversial of the time period.
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